Grape

Varieties of clonal confusion

The new Wine Grapes book (by Jancis Robinson et al, see my review of it here) has had the effect of making my mind both clearer and more confused about the differences between varieties, clones and mutations.

Of course, it’s been clear for a very long time that the things we call clones of a variety can be very different from one another in terms of both their viticultural characteristics and their aromas and flavours. Probably it was first made clear to me in the late 80s and early 90s (was it?) when we properly realised that the dominant strain of pinot noir in South Africa (in Hamilton Russell Vineyards PInot, most famously) was in fact a Swiss clone called BK5, genetically selected for sparkling wine. Bruce Jack’s Flagstone even named its pinot BK5. Changing to Burgundian clones was an important step in the radical improvement in local pinots.

But now Wine Grapes makes it abundantly clear that, by scientific definition (referring to DNA characteristics), pinot noir itself is not actually a variety at all. It is “merely” a clone (that is, a long-propagated mutation) of a variety called Pinot. Pinot noir, pinot blanc, pinot meuniere, and all the other pinots, are all clones, not different varieties.

Not that we’re likely to actually change our practice of calling Pinot Noir and Pinot Gris varieties – neither in our casual discussions nor even, I’d guess, in official documents like the legislated lists of permitted varieties (whether in Burgundy or South Africa).

And it occurs to me to wonder just how scientifically legitimate it is to speak of different clones of pinot noir, if pinot noir is itself nothing more than a clone? Aren’t these different versions of pinot noir all equal, parallel clones of pinot, rather than of pinot noir? If someone can clarify this for me, I’d be most grateful.

But it does all, anyway, serve to remind us of the vital significance of mutations and resultant clones. There are those in Cape vineyards who like to think of something called “steen” as tantamount to a separate variety, almost, from chenin blanc, the result of a mutaion of chenin to local conditions. Of course, if there is such a mutation, it would be a clone rather than a different variety – unless, indeed, there had been some natural cross-fertilisation with some other variety in the course of chenin’s long history in South Africa.

Certainly, local chenin tends to be very different from that on the Loire. I believe that there are eight clones locally available, with yield being a major point of difference. But there used, apparently, to be many more chenin clones, before the authorities abandoned some that were particularly heavily virused.

The important point is that we should be putting enormous effort into finding out and propagating (quality permitting) those clones which are particularly suited to our climate and other conditions. Those are the clones that are likely to produce the best, and most specifically “Cape” wines – those, rather than the “best” clones from Europe. Chenin is crucially, and increasingly, important to our wine economy and it seems we actually know remarkably little about it  as a local grape!

Who knows anything real about the chenin growing in old vineyards in Olifants Rivier, and producing a whole bunch of acclaimed wines (like Sadie Skurfberg, Botanica Chenin, Donkiesbaai Steen, Alheit Cartology)? Are these vines a distinct version – a potentiallly propagatable clone – of chenin, one different from, say the chenin that produces the fine Beaumont Chenin? Could we propagate a clone that has a particular tolerance for dryness and heat and can still produce a great wine?

Certainly we should be looking also at semillon, which has had such a long and crucial role in South African wine-growing. We know that a pink mutation developed here, probably uniquely, though it has not been properly developed as a clone. So how many other mutations have also developed, and is there one of them that gives particuarly superb and useful results?

A lot of research should be going into all this, in my opinion. It could have a radical and beneficial effect on South African wine. But, as far as I know, Stellenbosch University’s oenology department is not giving the matter an iota of consideration.

 

Expert comment

I wrote Jancis Ronbinson about my confusions, and she forwarded my email to José Vouillamoz, the vituculturist centrally involved in the great publishing achievement of Wine Grapes. He responded to me as follows:

As a co-author of Wine Grapes, I'm answering your excellent question about clones and varieties.

As strange as it may sound, there is no contraindication to speak of "clone of a clone", we simply don't use it. For example, Savagnin Rose is a clone (colour mutation) of Savagnin Blanc, and Savagnin Rose Musqué (= Gewürztraminer) is a clone of Savagnin Rose, hence a clone of a clone.
In reality, EVERY clone is nothing else than a clone of a clone. If you go back to our definition of the origin of a clone in Wine Grapes:
__________
After decades or centuries of vegetative propagation, each grapevine plant harbours hundreds
of thousands of new mutations. Most of them will go unnoticed, and only those having a desired
effect that is observable to the human eye – smaller berries, bigger crops, for example – will be
noticed and propagated separately: these are clones
__________

You understand that every time that a "spectacular" mutation occurs we set it aside as a new clone, but the initial plant itself was a clone already.

With respect to stop people seeing the pinots as different varieties, even if it is a well-established idea, it is an erroneous one and we simply hope that a few people will change their mind thanks to Wine Grapes (we've already heard some very positive feedback about that), but obviously not everyone...

With my best regards

José Vouillamoz

Re: Varieties of clonal confusion

How about a variety is a clone that is  distinctly and obviously different to the observer?

e.g. Meunier is a mutation of Pinot that is distinctly and obviously different because of the hairs on its leaves. Pinot Blanc is distinctly different becaude it has green  grapes and  can't be used to make red wines.

P Noir clones Wadenswil and Pommard make distinclty different wines and are identifiable to a viticulturist, but are not distinctly and obviously different enough to be a separate variety

 

Re: Varieties of clonal confusion

Peter - that makes a lot of sense to me, of course, but clearly it is not the scientific position. Classifying plants is, it seems, a pretty rigorous business, ultimately connected to DNA identity, I suppose. It's not like a language where a dialect can, by force of numbers using it and the degree of change, become considered as a new language. If languages were vines, then Spanish, Italian, Portuguese, French etc would still be considered dialects of Latin!

The trouble for us now is that there is this clear disjunction between science and popular usage: it's going to be very hard to grapple with the idea that pinot noir and pinot grigio are just clones of the same variety. In fact, it's not even, as far as I can see, a USEFUL bit of science in this case (dare I say that?).

I'm wondering idly what would happen if some grower on the Cote d'Or decided to plant pinot gris for inclusion in his white burgundy. According to the law this is not possible, because pinot gris is not a permitted variety. But if the grower went to court and proved, as seems to be the case, that pinot gris is actually the same variety as pinot noir, which is a permitted variety - well, what would the court decide then? I suppose it could prompt the European authorities to require appellations to list permitted clones rather than permitted varieties!

Re: Varieties of clonal confusion

Just to thank you for giving a thought provoking post... so much blogs out there with useless content. 

Re: Varieties of clonal confusion

"...pinot gris is actually the same variety as pinot noir,.." I can deal with my intellectual reaction to that, but I'm failing miserably in trying to deal with my emotional response to it. I'll ponder over it again next time I don't open a pinot gris.

Re: Varieties of clonal confusion

Kwisp, I think the answer that may best address your emotional response is to forget that, as a vine, pinot noir and pinot gris are one and the same, and rejoice in the fact that the wines themselves are so different. The same goes for the other pinot triplet, p blanc.

Re: Varieties of clonal confusion

Thanks, Angela, but the emotional impact is akin to finding out Justin Bieber is Billy Gibbons's son. I'm sure most people will go on treating Pinot Noir and Pinot Gris as different cultivars, even if they do know they're both just Pinot clones. For the sake of mental health and a proper night's sleep, you know.

Are you Googling "Billy Gibbons" right now?   :-) 

Re: Varieties of clonal confusion

Who's Justin Bieber?

Re: Varieties of clonal confusion

Heh-heh!

Re: Varieties of clonal confusion

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